On the advice of his specialist, Brian Blessed has been compelled to withdraw from KING LEAR.
Statement from Mr Blessed’s agent this morning states: “Mr Blessed’s heart condition is more serious than he was aware. On the advice of his specialist, and with a broken heart, Brian has therefore been compelled to withdraw from the production of which he is so proud. He is immensely grateful for the support he has received from The Guildford Shakespeare Company. Mr Blessed will be making no further comment at this time.”
The 4-STAR production, which will continue to run until 14 February, will now feature leading classical actor TERENCE WILTON in the title role. Terence has spent many seasons at the RSC, National Theatre, Regent's Park Open-Air Theatre, the Almeida and Royal Exchange, Manchester. Most recently he played 'the Admiral' in the acclaimed The Sound of Music at Regent's Park and last year played 'Big Daddy' in Cat On A Hot Tin Roof for the Royal Exchange, Manchester.
“Yet again, GSC has surpassed themselves. This company just gets stronger and stronger"
“The company are majestic and chilling in equal measure!”“A stunning piece of theatre”
Production Photography Steve Porter
RUN EXTENDED! NOW SOLD OUT!
17 January - 14 February 2015
Holy Trinity Church, High Street, Guildford
Approaching the end of a long and peaceful reign Lear proposes to divide his kingdom between his three daughters…but the size of their portion depends on the size of their declaration of love for him. When the answers are not what he expects, a tragedy begins that will take everyone to the brink of destruction.
From blind rage to touching retribution, Shakespeare’s KING LEAR is a journey into the heart of madness and the essence of humanity.
We are thrilled to announce that BRIAN BLESSED, one of this country’s best known and most highly respected actors, will be joining the company to play the title role in Shakespeare’s great tragedy.
KING LEAR is brought to you by the same creative team behind 2014's acclaimed Othello, who, together with a feast of familiar GSC actors will propel you into the very heart of the storm!
Director Caroline Devlin | Designer Neil Irish | Lighting Declan Randall | Sound Matt Eaton
Assistant Director Richard Neale | Movement Vanessa Cook | Fights Philip d'Orleans
Booking Now Open
May we proudly present our cast for KING LEAR...
Oswald / King of France
Duke of Albany
Duke of Cornwall
Edgar / Duke of Burgundy
James Sobol Kelly
Duke of Gloucester
Cordelia / Fool
Duke of Kent
Terence Wilton is originally from Brighton and trained at Manchester University.
LONDON: Admiral in The Sound of Music Regent’s Park, Harry Crookshank in Never So Good at The National Theatre, Thesius in A Midsummer Night's Dream, Worcester in Henry IV and Badger in The Wind In the Willows, Belarius in Cymbeline and Antonio in Twelfth Night at Regent's Park. Duke of Milan in Two Gentlemen of Verona, Richardetto in 'Tis A Pity She's A Whore, Father Perez in Columbus; Sir Walter Whorehound in A Chaste Maid in the Cheapside Almeida; The Husband in The Creditors Southwark Playhouse; Uncle Silas in Uncle Silas Lyric Hammersmith; Walter in The Healer Old Red Lion; Claudius in Hamlet World Tour; Valentine in You Never Can Tell Haymarket Theatre; Octave in Court In The Act Pheonix Theatre; Father Mike in Treatment Donmar Warehouse; Jason in Medea Riverside; Foster in Devour The Snow Bush, John in The Seachange Riverside; Octavius in Antony & Cleopatra Old Vic & World Tour, Laertes in Hamlet RSC, Perkin in Perkin RSC, Clive in See How They Run London Comedy Co, Posthumous in Cymbeline RSC, Polixines in Winter's Tale Young Vic.
OUT OF TOWN: Baptista in The Taming of the Shrew RSC, Duke Senior and Duke Frederick in As You Like It Royal Exchange, Messenger/ Soldier in Bacchae Royal Exchange, Colonel Pickering in Pygmalion Royal Exchange, Walter in The Price at The Wolsey in Ipswich, Roy in Tall Phoenix, Belgrade Theatre, Enobarbus in Anthony & Cleopatra, Judge Brack in Hedda Gabler, Charles in Snake in Fridge, Shem in Snap Shots, George in Ghost Train Tattoo, Kent in King Lear Manchester Royal Exchange; Sir Richard Plainman in The Bassett Table National Tour, Pastor Manders in Ghosts, Anitgonus/Autocylus in Winters Tale National Tour; Roach in Conduct Unbecoming National Tour; John Middleton in The Constant Wife National Tour; Tournel in A Flea In Her Ear Clwyd/ W.Yorks Playhouse; Piet in In The Talking Dark, Paul Verrall in Born Yesterday both at the Royal Exchange; Dunois in St Joan Compass; Petruchio in The Taming Of The Shrew Cambridge / World Tour; Torvald in A Doll's House Edinburgh Lyceum; Chris in All My Sons Bristol Old Vic, Grandier in The Devils Leeds, Dick Dudgeon in The Devil's Disciple Leeds, Queequeg in Moby Dick Royal Exchange. OVERSEAS: Claudius in Hamlet and Prospero in The Tempest USA Tours.TV includes: Revelations. Family Affairs. The Forsythe Saga. The Bill. Inspector Alleyn Mysteries. Rides 2. Waterfront Beat. Bulman. The Bill. Henry IV Part I. Some Distant Shadow. Eleanor Marx. Law Of The Land. Edward VII. Dr Who. Egdon Heath. Dial M For Murder. Rogues Gallery. Vanity Fair.
Brian trained at the Bristol Old Vic Theatre School before beginning a distinguished and varied career, which has encompassed all media. Brian is now one of this country’s best known and most highly respected actors.
Television includes: ‘Augustus Caesar’ in I Claudius; ‘PC Fancy Smith’ in Z Cars; ‘Porthos’ in The Three Musketeers; ‘Pepone’ in The Little World of Don Camillo; ‘Spiro’ in My Family and Other Animals; ‘Richard IV’ in Black Adder; and ‘Squire Western’ in the BBC’s classic drama series Tom Jones.
On film, Brian has played ‘Talthybius’ in Trojan Women; ‘Vultan’ in Flash Gordon; ‘Pedro’ in Man of LaMancha; ‘Long John Silver’ in Return to Treasure Island; and ‘Lord Locksley’ in Robin Hood: Prince of Thieves. In Kenneth Branagh’s Henry V he played ‘Exeter’, in Much Ado About Nothing he played ‘Antonio’, in Hamlet he played ‘Hamlet’s Father and the Ghost’ and ‘Duke Frederick/Duke Senior’ in As You Like It. He played ‘Boss Nass’ in George Lucas’ Star Wars, The Phantom Menace, ‘Clayton’ in Walt Disney’s Tarzan and ‘Leonidas’ in Oliver Stones’ Alexander.
His theatre credits includes: ‘Old Deuteronomy’ in Andrew Lloyd Webber’s CATS; ‘Claudius’ in Hamlet, ‘Exeter’ in Henry V and ‘Hastings’ in Richard III at the RSC; ‘Maxim Gorky’ in State of Revolution and ‘Sir Tunbelly Clumsey’ in The Relapse at the RNT. He also played ‘Henry II’ in The Lion in Winter, and ‘Baron Bomburst’ in Chitty Chitty Bang Bang at the London Palladium.
Brian has written five books; The Turquoise Mountain, The Dynamite Kid, Nothing’s Impossible, Blessed Everest, an inspiring abbreviated history of Everest, and Quest for the Lost World. Brian’s next book will be published in the autumn of 2015.
Brian has had a great love of mountaineering and a great desire to stand on ‘the top of the world’. He has been on three expeditions to Mount Everest. The first to make the film Galahad of Everest, a tribute to George Leigh Mallory. In 1993 he returned to Everest, this time to climb the Southern side where he reached a height of 28,000 feet – the highest a man of his age has achieved without oxygen. He returned to the Northern side in 1996 when the climb was filmed by a Channel 4 Television team as part of the Encounters series. Brian has also completed a trek to the North Pole, an expedition to The Lost World in Venezuela, a climb to the summit of Mount Ararat in Turkey at 17,000 feet and a climb to the summit of Mount Kinabalu in Malaysia.
Trained Guildhall School of Music and Drama
For GSC: the title role in Richard III, Horatio in Hamlet and Oberon/Flute in A Midsummer Night’s Dream.
Other theatre work includes: Thomas Becket in Murder in the Cathedral, Wilbur Wright in The Wright Brothers and Roger Bannister in The Four Minute Mile (all for Oxford Playhouse). He played the Servant in Helen (Shakespeare’s Globe); Sorcerer in Aladdin (Creation); James In Tom’s Midnight Garden (Manchester Library Theatre); and was part of the company for Therese Raquin (National Theatre). Recent TV/film includes appearing in Mackenzie Crook’s comedy series Detectorists (BBC) and playing a UKMTO officer in the Paul Greengrass film, Captain Phillips.
Trained Bristol Old Vic Theatre School
For GSC: Malcolm in Macbeth; Rivers/Richmond in Richard III; Hamlet in Hamlet (all directed by Caroline Devlin)
Other theatre includes: Wilfred Owen in Not About Heroes (Blackeyed Theatre); Cleante in The Miser (Watermill Theatre); Antonio in Twelfth Night (Reading Between the Lines); Benvolio in Romeo & Juliet (Creation Theatre); Paris in Romeo & Juliet (RSC); Dave in Something Stupid (Camden Fringe Festival) ; Jerry in The Zoo Story (Berzerk Productions). TV: Male PC in Silk; Toby Walters in Doctors (BBC). Film: Victor in Kansas (Corporeal Productions); George in Love (GoldenFish Films). Commercial: “O” in Crowd Trouble (McDonalds). Multimedia: Lead Voice in iphone app Adelaide Road; Mercutio in Such Tweet Sorrow (RSC). Radio: An Unchoreographed World (BBC4).
Trained: Central School of Speech and Drama
For GSC: Emilia in Othello
Theatre includes: Margaret, Richard III, Tamora, Titus Andronicus (Arcola); Wife of Bath, The Canterbury Tales (Southwark Playhouse); Nurse, Romeo and Juliet; Molly Brown, Iceberg Right Ahead; Frankie in the musical Legacy Falls; Ruth, Blithe Spirit, The Governess, Turn of the Screw; Sylvia Plath, Letters Home. Film includes: Callas Naked in London; Linda Cloud Cuckoo Land; Doctors with her father (BBC). Rosalind has written and directed her own play Love, Loss and Dogs and will be producing another The Delights of Dogs (and the Problems of People) next.
Sarah trained at GSA and worked as an actress prior to setting up Guildford Shakespeare Company in 2006 with Matt. Favourite GSC roles include Titania (A Midsummer Night's Dream), Kate (The Taming of the Shrew), Beatrice (Much Ado About Nothing), Gwendolyn (The Importance of Being Earnest) and Mistress Ford (The Merry Wives of Windsor). Most recently she has filmed the lead role in short film Monitor Locked. Other Theatre credits include: Peter Pan (Proteus Theatre); Sugar Daddies (Stephen Joseph Theatre/Yvonne Arnaud Theatre); Far From the Madding Crowd (The Phoenix Theatre); Gulliver’s Travels (Sutton Theatres); Desires of Frankenstein (Regent’s Park Open Air Theatre); Just William (Charles Cryer Theatre). Other credits as producer include Aladdin for Creation Theatre in Oxford.
Born in Blackpool and trained at LAMDA, (winner St Philip’s Trophy)
Recent theatre includes: Antony & Cleopatra (Chichester Festival); The Lion in Winter (Haymarket); The Rivals (Compass); A Midsummer Night’s Dream, Macbeth (Arundel Festival); Twelfth Night (Bristol Old Vic); Blood Brothers (UK tour); The Winter’s Tale, The Glass Menagerie, The Deep Blue Sea (Royal & Derngate, Northampton); Romeo and Juliet (Colchester); Mario and the Magician (Almeida). TV includes: Law And Order, Emmerdale, EastEnders, Foyle’s War, Coronation Street, Casualty, Trial and Retribution, Wallis and Edward, The Royal, Inspector Morse – The Remorseful Day, The Young Indiana Jones Chronicles (LucasFilm). Film credits: Walking With The Enemy, Love’s Kitchen, 47 Cleveland, The Walker, (directed by Paul Schrader).
Trained Bristol Old Vic Theatre School
Theatre credits include: Travelling Light (New Vic Basement); Privates on Parade (New Vic Theatre, Stoke); Cinderella (Swan Theatre, High Wycombe); various national and international tours for Natural Theatre Company; Cassio in Othello, Claudio in Measure for Measure, Titania in A Midsummer Night's Dream (Creation Theatre Co); Puckoon (Big Telly Theatre Company); Iago in Othello, King Lear, The Tempest (Actors From the London Stage); Kurt Tucholsky – His Life and Songs (Soho Theatre); The Comedy of Errors, Richard II (Tobacco Factory); Charlotte's Web (Birmingham Stage Co/Derby Theatre); Our Country's Good (Out Of Joint). TV: Just Desserts (HTV); Holby City (BBC TV). Film: Living in Hope (We Three Films); European Psycho (Meteoriit). Radio: Memoirs of a Twelfth Man, She Stoops to Conquer (both BBC Radio).
Trained: Bretton Hall
Matt is the Co-Founder of GSC, appearing in all 24 productions. GSC highlights include: Malvolio (Twelfth Night), Cassio (Othello), Touchstone (As You Like It), 3rd Witch (Macbeth), Bottom (A Midsummer Night’s Dream), Benedick (Much Ado About Nothing), Laertes (Hamlet). Directed by Tom Littler, Joanna Read, Anna Ledwich, Hannah Chissick, Charlotte Conquest, Abigail Anderson and Caroline Devlin.
Other theatre includes: Spring Awakening (Theatre Royal, Bath); George’s Marvelous Medicine (Birmingham Stage); Anthem For Doomed Youth, Arabel’s Raven (Nuffield Theatre); A Perfect Match (Vienna’s English Theatre). Pantos include Chipping Norton, Newbury, Winchester, Barnstaple and Manchester Library. He has spent seasons with Solent People’s Theatre, Action Transport and Forest Forge. Matt is also a guest lecturer at the Guildford Institute, and voice over artist for BBC Bitesize.
James Sobol Kelly
Trained Guildhall School of Music and Drama.
For GSC: The Merchant of Venice, Richard III, Much Ado About Nothing, Romeo & Juliet.
Other theatre includes: The Drowned Man, Faust (Punchdrunk / National Theatre); Scorpio (Theatre 503); The Third Man (Secret Cinema); Romeo & Juliet, Othello (Creation Theatre Co.); Rainman (English Theatre Frankfurt); The Tempest, The Wild Duck (American Repertory Theatre, Boston); Love Suicides at Amijima (La MaMa ETC, New York). Film includes: The Two Faces of January (StudioCanal / Working Title); Harry Potter and the Half Blood Prince (Warner Bros.); Santa's Blotto (New Division). TV includes: Brits Who Made the Modern World (Channel 5). Radio: Churchill's Other Lives (BBC Radio 4).
Training: Drama Centre London
For GSC: Viola in Twelfth Night, Princess of France in Henry V.
Theatre credits include: Fortune's Fool (Old Vic Theatre); The Man Who Pays the Piper, The Stepmother (Orange Tree Theatre); As You Like It, A Midsummer Night's Dream (Iris Theatre); A Warsaw Melody (Arcola); Shiver (National Theatre Studio/Theatre6); The Importance of Being Earnest (Courtyard Theatre). Film include: The Seasoning House (Sterling Pictures); Hush (Shire Productions); Senet (11LittleFilms). TV include: The Cut (Channel 4). Radio include: Doctor Who:The Mask of Tragedy, Countermeasures (Big Finish Productions).
Trained: Guildhall School of Music & Drama (Gold Medal Winner)
For GSC: Macbeth, Hamlet
Theatre: Robin Hood, Merlin, The Gift, Of Mice & Men, Jason & The Argonauts (Dukes, Lancaster); The Merchant of Venice (AFTLS); Grimm Tales (Keswick); Far From The Madding Crowd (ETT);Christmas Carol, Measure For Measure (Creation); Ladykillers, Comedy of Errors, Richard IV, Twelfth Night, As You Like It (Northcott, Exeter); Bedroom Farce (Torch); Outside Edge (New Vic, Stoke); Harvest (Southwark Playhouse); Dark Side, Great Expectations (Tours); Romeo and Juliet, King Lear (Orange Tree). Television: Holby City, Empathy, Second Sight, Oscar Charlie, Other People’s Children, Viking, Hope & Glory, Casualty (BBC); Where The Heart Is, Crossroads, Footballer’s Wives, Lucy Sullivan’s Getting Married, The Bill, Band of Gold, Anna Lee (ITV). Film: Pilgrim Factor, Journey. Writing: The Smilin’ State (Bristol Old Vic/Hackney Empire).
The Winter Season 'family' reunite for this special production!
Director Caroline Devlin (Henry V, Othello, Macbeth, RIII, Hamlet), leads Designer Neil Irish (Othello, Twelfth Night, RII), Lighting Designer Declan Randall (Henry V, Othello, Macbeth, RIII) and Sound Designer Matt Eaton (The Canterbury Tales, Henry V, Othello, Macbeth, RIII). Richard Neale joins us as Assistant Director.
Fights will once again be choreographed by Philip d'Orleans (The Canterbury Tales, Henry V, Othello, Macbeth...) and Movement Director Vanessa Cook (Henry V, Macbeth) returns again.
Tuesday 27 January, after the evening performance FREE*
A unique opportunity to stay behind after the evening performance to hear the cast talk about how they created the show, and asks those burning questions!
*Open to 27 Jan ticket holders only
Audio Described Performance
Saturday 7 February, 2.30pm (normal matinee price, carers go free)
Blind or visually impaired patrons are given infra-red headsets to listen to live commentary of the performance. Described by GSC's resident Audio Describer Kerry Elkins. *Call the box office to make your booking*
Winter 2015: KING LEAR
17 January - 14 February
Evenings 7.30pm (Tues 20 Jan 7pm)
End time 10.15pm
Matinees 2.30pm (24 & 31 Jan, 7 & 14 Feb)
End time 5.15pm
Running time 2 hours 45 mins (including interval)
£25.00 Full Price
£21.00 Concessions (Over 60, under 16, Equity, NUS, Jobseekers, registered disabled)
£18.00 Preview (17 & 19 January)
£80.00 Family (2 adults, 2 children under 16)
Special £12.50 TICKETS - Every Monday
As part of GSC's ongoing commitment to making great theatre available to as many people as possible, there is a limited number of £12.50 tickets especially set aside for 16-25s, students and Jobseekers.
These £12.50 -tickets are only available on the day of the performance from 10am, and are limited to 2 per customer. They can be purchased by calling the Box Office, and are sold on a first come, first served basis. ID will be required when collecting day-tickets from the onsite Box Office on the evening of the performance. These tickets cannot be booked online.
Book 10 tickets for the SAME performance and receive the 11th FOC!
Telephone 01483 304384
Box Office open Mon-Sat 10am - 6pm (7pm during show times)
Not open Sundays
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